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- DAT番号
- 1440
- 曲・解説順番号
- 4
- 曲名・解説タイトルよみ
- タンジョン・プルパス
- 演奏者
- 歌：Hamzah Dolmat
- 注記2
- 曲目解説4枚目に「4TH CUT[下線付]」「(TANJONG PELEPAS)」「Melodies of "Pantun" verses which tell of a secluded waterfront in Singapore endowed with a stretch of clean untarnished virgin beach. The constant unending whisper of the soft seas, the breaking of the waves on the shore are make-ups of this lover's sanctuary. To let nature take its course, love vows become the language of Tanjong Pelepas. This is also another Joget number. The singer is Hamzah Dolmat.」「DURATION 3'55"」と記載(「ピアノ[赤字]」「♩．♪♩♩[用紙に記載されている音価はこれの1/2倍][赤字]」「["Pantun"に]赤色丸印」「[Hamzah Dolmatに]赤色下線」「男[赤字]」の書き込みあり)。曲目解説5枚目に「JOGET[下線付]」「There is no doubt that amongst the many styles of dancing that may be seen in Malaysia, today, none is as popular and well-known as the JOGET.」「The Joget is believed to have originated from a Portuguese dance brought to the coast of West PENINSULAR MALAYSIA at the beginning of the Colonial are in South East Asia. It is usually written in 2/4 time and is very lively in character. It has always been considered a purely social dance.」「During the dance, there is no physical contact between the couple taking part. The man leads, and tries his best to ensure that his partner follows his movements closely. The couple move in unison, keeping a distance of a yard or so, from each other, all the time. There are no special steps, but there is a considerable awareness of the lively rhythm of the music on the part of the dancers. In this dance, there is much opportunity for display of graceful individuality.」と記載。
- 分類番号
- koizumi32_マレーシア、シンガポール、ブルネイ
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- テープ副標題
- MALAYSIAN SERENADE OF LOVE
- 録音年
- 1979年
