コンテンツへスキップ
- DAT番号
- 718
- 曲・解説順番号
- 11
- 曲名・解説タイトルよみ
- ダストガーハ・シュール
- 曲名・解説タイトル:副題
- The connection of Daramad, Kereshme, Salmak and Forood, performed vocally, accompanied by the Kamanche
- 曲名・解説タイトルよみ:副題
- ザ・コネクション・オヴ・ダルアーマド、ケレシュメ、サルマク・アンド・フォルード、パフォームドゥ・ヴォーカリー、アカムパニードゥ・バイ・ザ・カマーンチェ
- 作曲者、作詞者
- 作詞:Sa'adi
- 作曲者、作詞者よみ
- サクシ:サアディー
- 演奏者
- 歌:Mohammad Reza Shajarian(Siavosh)、kamanche:Rohmatola Badiee
- 演奏者よみ
- ウタ:モハンマド=レザー・シャジャリヤーン(スィアーヴォシュ)、カマーンチェ:ラハマトッラー・バディーイー
- 注記2
- 曲目リストには、「Dastgah Shur」「11. The connection of Daramad, Kereshme, Salmak and Forood, performed vocally, accompanied by the Kamanche: poetry taken from the poems of Sa'adi. (9:06)」「In this connection the Gooshes Daramad, Kereshme and Salmak are performed, with a final return to Shur. Kereshme has a rhythmic character, while Salmak has a specific climax. Both return to Shur at the end.」「 Some differences between Iranian vocal and instrumental music are noticeable. These differences are due to the different ranges of various instruments and the quality of the voice. They also result from the quality of trills in the voice and the instruments: these trills are completely different with respect to their techniques and structures. Thus, a combination of vocal and instrumental music always produces a variety of colors and timbres. 」「Vocal music is always enriched with accompanying poetry. Thus, the vocal music itself cannot be too long. Efforts are made to omit the reiteration of the vocal music (which is otherwise common in Iranian music). As a result, vocal music becomes much shorter and more attractive.」「The listener can discern some of these differences in this connection.」と記されている。
- 演奏・解説時間
- 9'06"
- 分類番号
- koizumi52_イラン
クリックで分類地域オープンリール一覧を表示
- 録音年
- 1976年